Once you’ve performed enough basic and back-timed edits, you’ll intuitively know which keyboard shortcuts to hit to make the perfect edit every time. They key to mastering three-point editing is to practice until it becomes second nature. This method happens to be a match made in heaven for three-point editing. Put simply, FCP X encourages you to organize and edit your footage in the browser, before you ever touch the timeline. But those willing to make the initial investment in rethinking their project setup discover that a little work upfront ends saves a ton of time in the long run. Browser-Based Editingįor many editors who have already developed their own bin-based organization methods, FCP X’s keyword and metadata tagging is often a hard sell. What this all means is that you can make any type of edit-connect, insert, overwrite-and never have to worry about accidentally moving other clips out of sync.įor an even deeper look at the magnetic timeline, check out How the Magnetic Timeline Keeps You Focused on the Story. Below, the top clip is connected to the underlying clip. If you move the underlying clip of the interview subject, the B-roll shot will move with it. For example, if you have video of an interview as your primary storyline and use a connect edit to cut a shot of B-roll into the timeline over the interview subject, that B-roll shot will “connect” itself to the primary storyline. In FCP X, clips on the timeline are placed in relationship to other clips. Below, the lower VO audio clip has moved down to make room for the higher track as it’s moved to the left. The clips simply move out of the way and make room in your timeline, while staying in sync. FCP X does away with tracks, and so there are no more collisions. No Clip CollisionsĬollisions happen when a clip you’re moving around bumps up against another clip on the same track. Magnetic TimelineįCP X’s magnetic timeline does away with traditional tracks-a massive redesign from FCP 7 that was initially a huge upset to video editors.īut the magnetic timeline has one incredible strength over traditional track-based NLEs-it keeps everything in sync. What Makes FCP X DifferentįCP X has two unique qualities (well, a lot more, but we’re concerned about these) that separate it from other NLEs. But before we deep dive into these two techniques, let’s review what makes FCP X an NLE like no other-because, despite the initial uproar, it’s the redesign from FCP 7 to FCP X that makes all this possible. The magic formula for speed is the combination of the two. Mastery of FCP X’s browser-based system of organization and labeling.Mastery of three-point editing (and its keyboard shortcuts).Editors want to know how he’s able to cut so fast.īut FCP X, with its magnetic timeline and the powerful tools packed into its browser, is built for lightning-paced cutting-you just have to know how to use it!Īs I see it, there are two standout techniques involved in Thomas Grove Carter’s process: The comments were full of inquiries about specific keyboard shortcuts and the philosophy behind his editing technique. The speed with which he conducted the edit was mesmerizing. At last year’s FCP X World in London, people were dazzled by watching London-based commercial editor Thomas Grove Carter of Trim Editing cut together an Audi commercial live.
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